RUE CHARLEMAGNE IS a street in the Marais quarter of the 4th arrondissement of Paris. It stretches for 236 metres from rue Saint-Paul to the junction of rue de Fourcy and rue des Nonnains-d’Hyères.
The green arrow shows my soundwalk along rue Charlemagne
Rue Charlemagne – A Soundwalk:
There’s been a street of some sort hereabouts since the middle of the 14th Century and during its lifetime it has had a variety of names. Originally known as rue de Jouy, the street became rue de l’Abbé-de-Jouy, rue de la Fausse-Poterne, rue de la Fausse-Poterne-Saint-Paul, rue de l’Archet-Saint-Paul and rue des Prêtres-Saint-Paul.
The name, rue Charlemagne, dates from 1844 and it comes from the name of the school in the street, the Lycée Charlemagne, which in turn is named after Charlemagne, or Charles I, King of the Franks, who united most of Western Europe during the Middle Ages and laid the foundations for modern France and Germany.
Rue Charlemagne looking from East to West
The Lycée Charlemagne is a significant feature of the street. It was founded by Napoléon Bonaparte in 1804 although it occupies buildings that are very much older and were once home to the Order of Jesuits.
Main entrance to the Lycée Charlemagne
Today, the Lycée offers two-year courses in mathematics, physics, chemistry and engineering science preparing students for entry to the Grandes écoles.
Another significant feature of rue Charlemagne are the longest surviving remains of the Philippe Auguste Wall.
Remains of the Philippe Auguste wall
Before leaving for the Third Crusade, Philip II of France (Philippe Auguste) ordered a stone wall to be built to protect Paris in his absence. The wall was built between 1190 and 1215 and it was 5,100 metres long, between six and eight metres high and enclosed an area of 253 hectares.
These remains of the Philippe Auguste wall stretch from rue Charlemagne along the Jardins Saint-Paul but on the corner with rue Charlemagne are the remains of the Tour Montgomery named after Gabriel, comte de Montgomery, a French nobleman and a captain in King Henry II’s Scots Guards.
Remains of le Tour Montgomery
Montgomery is remembered for mortally wounding King Henry in a jousting accident. For a short time after the accident, Montgomery was imprisoned in what became the Tour Montgomery. From his deathbed Henry absolved Montgomery of any blame, but, finding himself disgraced, Montgomery retreated to his estates in Normandy. There he studied theology and converted to Protestantism, making him an enemy of the state.
Next to the Lycée Charlemagne is the Fontaine Charlemagne, a decorative fountain built against the presbytery wall of the church of Saint-Paul-Saint-Louis. On the pediment above the fountain are the Coat of Arms of the City of Paris and the Roman numerals indicating the year 1840, the year the fountain was created.
The fountain itself comprises a niche decorated with aquatic plants and animals and a cast iron basin supported by dolphins with a statue of a child holding a seashell over his head.
At the eastern end of rue Charlemagne is a courtyard with a cluster of art and antique shops.
As I walked along rue Charlemagne recording the sounds around me, I came upon some children playing football in the Jardins Saint-Paul in the shadow of the Philippe-Auguste wall.
As I approached, some of these children spilled over into rue Charlemagne itself just below the Tour Montgomery and from there they seemed to form an unexpected centrepiece to my soundwalk.
Rue Charlemagne looking from East to West
AFTER THE SPECTACULAR sound and light show attended by some 600,000 people in the Champs Élysées the night before, New Year’s Day 2015 saw la plus belle avenue du monde filled with marching bands, colourful floats and circus performers for le défilé du jour de l’An, the New Year’s Day parade.
Organised by the association, Le Monde Festif, under the chairmanship of the celebrated showman, Marcel Campion, the parade consisted of musicians, clowns, jugglers and acrobats from five famous circuses (Pinder, Bouglione, Muller, Phoenix and Romanès), as well as fifteen marching bands from a dozen countries and a fleet of classic cars and decorated floats.
I spent the afternoon of New Year’s Day in the Champs Élysées capturing the sounds and savouring the atmosphere.
Showtime in the Champs Élysées:
IT WAS THE LARGEST number of people ever to fill the streets of Paris. Somewhere between one-and-a-half and two million people stretching from Place de la République to Place de la Nation in a display of unity and solidarity.
Last week, two gunmen killed twelve people at the satirical magazine Charlie Hebdo while another man murdered a police officer and then four hostages at a kosher supermarket in the east of Paris. These tragic events left the city and the country shocked but unbowed.
The offices of Charlie Hebdo where the attack took place
Outside the Charlie Hebdo offices after the attack
Tributes left at the site where the police officer, Ahmed Merabet, was shot in the head as he lay wounded in the street.
Over the last sixteen years, I’ve witnessed countless marches and demonstrations in Paris but I’ve never experienced anything quite like Sunday’s march.
The march was attended by over forty heads of government from Europe and the Middle east but the day was not about them – it was about ordinary people standing up and being counted; ordinary people demonstrating the power of unity and freedom of expression over fanaticism and terror.
Vive la France – Vive la Liberté!
Sounds of the Charlie Hebdo march:
WHAT A DIFFERENCE a day makes!
Shortly before 11.00 this morning I arrived in Place Jean-Paul II, the open space in front of the Cathédrale Notre Dame de Paris, to find that it was home to a selection of the world’s media. Radio and TV broadcasters were busy establishing satellite links with their studios and preparing to broadcast ‘live’ to their audiences around the world.
Yet twenty-four hours earlier the media would have been hard pressed to find a story here – any story – let alone a story worth reporting. But then, in what seemed like the blink of an eye, everything changed.
Shortly before 11.30 yesterday morning, 7th January, two masked gunmen armed with Kalashnikov rifles and a rocket-propelled grenade launcher stormed the headquarters of the French satirical newspaper Charlie Hebdo in rue Nicolas Appert in the 11th arrondissement of Paris. They shot and killed twelve people, including eight Charlie Hebdo employees and two police officers, and wounded eleven others.
After the news broke, there was an outpouring of sympathy for the victims, support for freedom of speech, and defiance against the perpetrators. The symbol for all this became encapsulated by the declaration, “Je Suis Charlie” (“I am Charlie”).
At midday today people in Paris and across France paused for a minute of silence to mourn the victims of the Charlie Hebdo attack.
In declaring today a day of national mourning it was decreed that flags on all public buildings should be flown at half mast and that the bells of the Cathédrale Notre-Dame de Paris should be rung in honour of the victims.
The Bells of the Cathédrale Notre Dame de Paris speaking for the nation:
From the Place Jean-Paul II I listened as the cathedral bells began to peal a minute or two before midday. The rain fell, a crowd gathered and then the sound of the bells faded and the crowd fell silent. The sound of a police siren in the distance reminded us why we were here and brought into stark relief the names of those who were not, those who were murdered at around this time yesterday …
- Frédéric Boisseau, 42, building maintenance worker for Sodexo, killed in the lobby
- Franck Brinsolaro, 49, police officer, was assigned as a bodyguard for Charb
- Cabu (Jean Cabut) 76, cartoonist
- Elsa Cayat, 54, psychoanalyst and columnist
- Charb (Stéphane Charbonnier), 47, cartoonist, columnist and editor-in-chief of Charlie Hebdo
- Philippe Honoré, 74, cartoonist
- Bernard Maris, 68, economist, editor, and columnist
- Ahmed Merabet, 42, police officer, shot in the head as he lay wounded on the ground outside.
- Moustapha Ourad, proofreader
- Michel Renaud, 69, festival organiser, a guest at the meeting
- Tignous (Bernard Verlhac), 57, cartoonist
- Georges Wolinski, 80, cartoonist
After the silence the bells began to peal again and they did so for a further twenty minutes. Despite the heavy rain, practically everyone stayed until the bells had finished after which there was spontaneous applause.
It seemed to me that the silence, surrounded by the sound of the bells and the sound of the rain falling like tears from the sky said everything that needed to be said.
The remaining staff of Charlie Hebdo have announced that publication will continue, with next week’s edition of the newspaper to be released as usual except that, with eight pages, it will be half its usual length – but it will have a print run of one million copies compared to its usual 60,000.
ONE WEEK AGO, on the afternoon of Christmas Eve, I emerged from the overcrowded retail emporium, La Fnac, into the Avenue des Ternes in the 17th arrondissement. Outside the store I found a brass trio from the Armée du Salut (the Salvation Army) braving the cold to give their rendition of some popular Christmas carols.
I stopped to listen to them and then, after leaving a contribution in their collecting tin, I walked round the corner into one of my favourite Parisian street markets, the Marché Poncelet.
Within a stone’s throw of the Arc de Triomphe, the Marché Poncelet occupies part of the Rue Poncelet and the Rue de Bayen. Around its edges you can find stalls selling flowers, chocolates, clothes, household goods, jewellery, trinkets and souvenirs but at its heart is the fresh food, the fruit, vegetables, seafood, artisan cheese and freshly baked bread that really makes this market so popular and gives it the reputation of being one of the best food markets in Paris.
The sounds of the Marché Poncelet:
As well as the colourful cornucopia of fresh food and other goods on display, the Marché Poncelet also boasts a fascinating soundscape. Like in most markets, the stallholders here are not shy about advertising their wares by shouting to attract the attention of customers but this market is in the centre of Paris and so, unlike many of the markets at the periphery of the city, the language here is exclusively French. Compare for example, the sounds of this market with the sounds of the Marché Barbès I recorded a few weeks ago where French is barely spoken at all.
Exploring how the soundscape of the city changes from the centre to the periphery is one of the things I find endlessly fascinating about exploring the sounds of Paris.
Perhaps it’s just my natural curiosity, but I always find myself looking for ‘connections’ when I visit places in Paris. Of course, connections between sound and place are at the heart of the work I do here but sometimes I stumble across other, often more abstruse, connections. Take for example the connection between the Marché Poncelet and projective geometry …
The Marché Poncelet takes its name from rue Poncelet, which was named after the French engineer and mathematician, Jean-Victor Poncelet (1788-1867).
Poncelet’s most notable mathematical work was in projective geometry, in particular, his work on Feuerbach’s theorem. He also made discoveries about projective harmonic conjugates among which were the poles and polar lines associated with conic sections. These discoveries led to the principle of duality and also aided in the development of complex numbers and projective geometry.
Of course, Poncelet’s mathematics is all gobbledegook to me but maybe the vendor in the picture above is on to something with his clémentines arranged geometrically.
The Marché Poncelet should certainly be on your ‘to-do’ list if you’re in Paris and once there, I recommend that you stop off at Daguerre Marée, which just has to be one of the very best seafood shops in town!
Here are some more sights of the Marché Poncelet:
FOR A CITY DWELLER like me who is fascinated by sound and particularly fascinated by urban soundscapes, Christmas Day can be an absolute feast.
On Christmas Day this year I went out for an afternoon stroll and discovered that Paris was not only awash with tourists but it was also bathed in that wonderful golden light that often appears at this time of the year.
The Hôtel de Ville
I had in mind to record the ice skaters at the patinoire outside the Hôtel de Ville but so big were the crowds that it was a hopeless task. I walked across to the Île de la Cité where I discovered a sea of people outside the Cathédrale Notre Dame de Paris, many of whom were posing for photographs in front of the huge Christmas tree in front of the cathedral. Although recording the sounds of crowds (and I’ve recorded many of them) – the chatter, the footsteps and the constant shuffling, can be fascinating, I was hoping to search out some different, more unusual sounds on this Christmas Day.
And that search led me to the Pont Saint-Louis.
It was here, on this bridge, that I found something completely unexpected – a Christmas feast.
A young man, Louis Artson, was sitting at a piano in the centre of the Pont Saint-Louis. He can often be found wheeling his piano around Paris and stopping to entertain the crowds.
Earlier this year, I had the enormous privilege of being invited to record a professional concert pianist in Paris playing her magnificent Steinway grand piano. Those recording sessions were of course set piece events allowing adequate time to set up very expensive microphones and adjust their placement to ensure the best effect. Those recording sessions also allowed for re-takes if either I, or the pianist, felt that something wasn’t quite right.
Not so with Louis Artson though. Here I was on Christmas Day standing in a chattering crowd on the Pont Saint-Louis with traffic passing from time to time attempting to record this wonderful musician ‘on the hoof’ so to speak.
If recording a professional concert pianist playing a Steinway grand piano was a challenge, then so was this – but a very enjoyable one!
Louis Artson playing piano al fresco:
As you can hear, Louis Artson can turn his hand to classical music, jazz or improvisation in the blink of an eye. In this extract from the sounds I recorded listen out especially for the third piece, his improvisation on Chopin’s Piano Sonata N°2, often referred to as the Funeral March. I think it’s just brilliant!
Regular readers will know that I’ve recorded many street musicians in Paris some of whom have featured on this blog. By and large, the standard of Parisian street music is very high but seldom higher than that played by Louis Artson.
You can connect with Louis Artson via:
IT’S THAT TIME OF year again and Paris is awash with its annual Christmas markets. This year, I’ve only explored two of these markets, the enormous one at La Défense and the one on my own doorstep, which is small, intimate and always a delight.
My local Christmas market comprises thirty wooden châlets set out on Place de l’Hôtel de Ville and stretching down to the nearby church. These châlets host some exhibitors who come every year but also some new ones from different regions.
As well as the châlets with their gourmet foods and a variety of craft goods, there are the entertainers; a professional storyteller, a make-up artist, a balloon sculptor, magicians, clowns, jugglers and, of course, the street musicians.
This year we’ve been entertained once again by Alexandre l’Agodas: The pedlar of dreams and his barrel organ.
Alexandre l’Agodas: Le colporteur de rêves et son orgue de barbarie
And, as well as Russian Cossacks with traditional Russian music, we’ve had a Dixieland jazz quartet and a very impressive jazz duo.
But my favourites this year were the jazz quartet, Swing Manouche.
As their name suggests, Swing Manouche play in the gypsy swing, or gypsy jazz, style associated with Django Reinhardt in the 1930’s. Because this style largely originated in France it’s often called by the French name, ‘Jazz Manouche’.
And since I think that Django Reinhardt was a genius I was delighted to be able to record ‘Swing Manouche’ playing in my neck of the woods.
Jazz Manouche at my Christmas Market:
The three pieces I recorded of ‘Swing Manouche’ playing ends with a French Christmas favourite, Le Petit Papa Noël, which leads me neatly into wishing all of you who follow this blog regularly, as well as those who drop by as they’re passing, a very Happy Christmas and all you wish for yourselves in 2015.
IT’S BEEN A HECTIC few years for the tramway system in and around Paris. In 2012, the tram lines T1, T2 and T3 were extended, in 2013 two new tram lines were opened, T5 and T7, and now, in December 2014, two more new tram lines come on stream. On Saturday 13th December, tram line T6 was opened and on Tuesday 16th December it’s the turn of tram line T8.
I went to the opening of tram line T7 in November last year and last Saturday I braved the cold and the heavy rain and went to the opening of the new tram line T6.
Le ville en tram – the inauguration logo for tram line T6
At the moment, tram-line T6 runs for 13 km from the Châtillon-Montrouge Métro station (Métro Line 13) to the tram stop Robert Wagner in Vélizy-Villacoublay passing through the communes of Châtillon, Clamart, Fontenay-aux-Roses, Meudon and Vélizy-Villacoublay, although Montrouge, Malakoff and Le Plessis-Robinson will also benefit from their proximity to this service. When the tram line is completed in the Spring of 2016, two further tram stops and a subterranean section of line will extend the tram line a further 1.6 km to Viroflay.
The tramline T6 route
Tram line T6 has been designed to ensure easy transfers to Métro Line 13 (Châtillon-Montrouge), RER Line ‘C’ (Viroflay Rive Gauche), SNCF’s Transilien service (Viroflay Rive Gauche and Viroflay Rive Droite) as well as to several bus services at almost every tram stop.
The other transport connections (click on the image to enlarge)
Building a new tramway is a very lengthy process and the planning for tram line T6 began back in the year 2000. A proposal was put forward and accepted by the Syndicat des transports d’Île-de-France (STIF) in 2002. Preliminary studies and designs were carried out during 2002-2005 followed by a public announcement in 2006.
The cost of the project is around €385m excluding taxes and the cost of rolling stock and the project has been funded by the State (16%), Île-de-France (50%), Conseil général des Hauts-de-Seine (20%), Conseil général des Yvelines (13%) and RATP (1%).
For the rolling stock, a contract worth €171.6m was awarded for the supply of 28 Translohr STE 6 type trams.
Translohr STE 6 type trams at Châtillon-Montrouge on tram line T6. Note that there is only one rail per tram and the trams run on rubber tyres.
Each tram can accommodate 250 passengers, 60 of whom can be seated and the low floor facilitates easy access for passengers with restricted mobility. Other features include air conditioning, display screens and sound announcement systems.
Tram line T6 operates from 5h 30 to 00h 30 seven days a week. The journey time is 40 minutes and the trams operate every four minutes during peak hours and seven minutes during non-peak hours. It is expected that some 82,000 passengers will use the line each day.
Arriving at Châtillon-Montrouge Métro station last Saturday morning I emerged into an unpleasant winter chill and very heavy rain. I’d arrived about half an hour before the opening ceremony was due to begin so I had time to look round. I came upon two brand new trams parked ready to be moved into position at the appointed time.
I also discovered that the TV station, France 3, was covering the event ‘live’ so I was interested in taking a close look at their outside broadcast scanner …
But everyone else seemed more interested in the TV personalities on parade …
As I walked past the TV tent with its attendant big screen TV outside relaying the live broadcast to those standing in the rain I came upon the Franco-Brazilian drummers, Batucada Zalindé. While they were playing, the two trams I’d seen earlier were manoeuvring into position by the station platforms ready for the opening ceremony.
The opening of the new tram line was preceded by speeches from the assembled dignitaries, including Jean-Loup Metton, maire de Montrouge and vice-président du Conseil général en charge des Transports, Yann Jounot, préfet des Hauts-de-Seine, Jean-Paul Huchon, président du Conseil régional d’Île-de-France, président du Conseil du STIF, Pierre Bédier, président du Conseil général des Yvelines, and Pierre Mongin, président-directeur général de la RATP.
And then it was off to fight my way through the crowds to clamber aboard the first passenger-carrying tram to leave from Châtillon-Montrouge to Vélizy-Villacoublay on the now opened tram line T6.
Tram Line T6 – Opening:
Inside the inaugural tram much later in the day when the crowds had subsided
After leaving the Châtillon-Montrouge terminus, tram line T6 makes a sharp left turn and then heads off up a hill. I was impressed by the speed of the tram as it climbed the hill. The Translohr STE 6 trams can reach a speed of 40 km/h but I think the average speed on tram line T6 is around 20 km/h.
Forty minutes after leaving Châtillon-Montrouge we arrived at the tram stop, Robert Wagner, the current terminus in Vélizy-Villacoublay.
Not all the passengers who got on at Châtillon-Montrouge travelled the full length of the line but those of us that did alighted at the Robert Wagner tram stop. There had been an opening ceremony at this end of the line too so some people went off to the marquees that had been set up to see what was on offer. I on the other hand, crossed the tram line and caught the next tram back to Châtillon-Montrouge.
I recorded the sounds inside the trams for the full length of both my outward and return journeys. These of course are historic sounds – the sounds inside the trams on their very first day of operation and so they have been consigned to my Paris Soundscapes Archive and, in due course, they will make their way to my Paris Soundscapes Collection in the sound archives of the British Library.
To give you flavour of what it sounds like inside a very full tram on tram line T6, here is part of the recording I made on the return journey, the five-stop section from Division Leclerc to Châtillon-Montrouge.
Tram Line T6 – Division Leclerc to Châtillon-Montrouge :
And when I arrived back at the Châtillon-Montrouge terminus the festivities were still under way, a band was playing – and it was still raining!
Tram line T6 has its own Twitter account which provides passengers with traffic updates: @T6_RATP
When the new Tram Line T8 opens on Tuesday 16th December, the Paris tramway system, extending into the Île-de-France, will stretch for 105 km. From the opening of Tram Line 1 in 1992 to the opening of Tram Lines 6 and 8 in 2014, a huge amount of money has been invested in the tramway system. And there’s the prospect of more to come.
Tram Line T9 is the planned line between Paris Porte de Choisy and the city of Orly, expected in 2020, followed by Tram Line T10 from Antony to Clamart in the southwest suburbs of Paris, expected in 2021.
EARLIER THIS WEEK I had to travel from Paris to Amsterdam.
After years of criss-crossing Europe courtesy of Air France, I’ve come to realise that being seduced into thinking that a one-hour flight might be the quickest and most convenient way to travel between these two cities is a myth perpetuated only by the prospect of accumulating more, usually unclaimed, air miles.
Now, I’m more than happy to avoid the endless angst associated with airports and opt for a much more civilised mode of travel – the train.
My Thalys train from Paris to Amsterdam
After walking to the bus stop at the end of my little street I caught the 43 bus, which took me to the Gare du Nord in time for me to catch my 10.25 Thalys train to Amsterdam Centraal Station.
Thalys is an international high-speed train operator originally operating on the LGV Nord high-speed line between Paris and Brussels, a line shared with Eurostar trains going from Paris or Brussels to London via Lille and the Channel Tunnel. The line is also shared with French domestic TGV trains.
Beyond Brussels, the main cities Thalys trains reach are Antwerp, Rotterdam, Amsterdam, Liège, Bruges, Ghent, Charleroi, Aachen and Cologne.
The main Thalys routes
En route to Amsterdam the Thalys crosses France, Belgium and The Netherlands stopping at Brussels (Bruxelles in French), Antwerp (Anvers in French), Rotterdam and Schiphol, before arriving at Amsterdam Centraal Station three hours and seventeen minutes after leaving Paris.
Thanks to a very sensible piece of joined-up thinking, Schiphol railway station is directly under Schiphol airport so for anyone flying from Schiphol, a short escalator ride from the train platform will deposit you directly inside the airline departures area.
Just as with the airlines, train ticketing remains a complete mystery to most of us but since I had the luxury of being able to book my tickets several weeks in advance, I was able to travel in Comfort Class 1 for less than the price of an Economy Class ticket bought close to the day of departure.
Inside Comfort Class 1 at Amsterdam Centraal Station after all the passengers had left
Since I never travel anywhere without microphones and a sound recorder I couldn’t resist recording my departure from Paris.
From Paris by Thalys:
I began recording as I was walking along Platform 9 at the Gare du Nord towards my carriage, N°13. A very smart young man in a Thalys uniform clipped my ticket and I boarded the train.
I am fascinated by what I call ‘transitional sounds’, the changing sounds we experience as we move from one environment to another. In this case, the sounds of the busy station platform merging into the relative silence of the train carriage.
It doesn’t take long though before this relative silence is penetrated by a different range of sounds – people stowing their luggage and settling into their seats, the rustle of papers, snatches of conversation, a lady progressing along the carriage offering to book taxis for those alighting at Brussels (a perk of travelling business class) and the loudspeaker announcements. On Thalys trains, the announcements are made in four languages, French, Dutch, German and English and since my journey started in Paris protocol dictates that the announcements begin in French. On the return journey from Amsterdam they begin with the Dutch version.
The lady announcer, who speaks all four languages, tells us that departure is imminent, the doors close and almost imperceptibly the train moves off. It’s not until we’re well clear of the station that the sound of the wheels rattling over rails is heard.
I continued recording until we passed Saint-Denis in the northeast of Paris and began picking up speed by which time I’d learned from the announcer that I was on the right train, the Thalys bar was open in the adjacent carriage and that I should keep my ticket with me at all times.
Presently, Charles de Gaulle airport hove into view in the distance and I couldn’t resist raising a glass to all the passengers there mired in the endless check-in queues, complex security procedures and all the other irritations associated with air travel. As one who used to make 150+ flights every year I’m quite content now to leave all that behind and let the train take the strain.
AFTER COMPLETING A RECORDING assignment in the 7th arrondissement I found myself in rue du Bac heading for the Métro and home.
Stretching for some 1150 metres from the junction of the Quai Voltaire and the Quai Anatole-France alongside the Seine, rue du Bac crosses the busy boulevard Saint-Germain and ends at rue de Sèvres.
I was at the rue de Sèvres end of the street and so I set off to walk to the Métro station Rue du Bac at the junction of the rue du Bac and the boulevard Raspail, a little over half way along the street, recording the sounds around me as I went.
The green arrow shows my soundwalk and the red arrow shows the continuation of rue du Bac to la Seine
Rue du Bac looking north-east towards la Seine
Rue du Bac takes its name from a ferry (a bac in French) established around 1550 on what is now the quai Voltaire to transport stone blocks for the construction of the Palais des Tuileries. The ferry crossed the Seine at the site of today’s Pont Royal, a bridge constructed under the reign of Louis XIV to replace the Pont Rouge built in 1632.
The street was created between 1600 and 1610 and originally named grand chemin du Bac, then ruelle du Bac, grande rue du Bac and finally simply, rue du Bac.
I began my walk along rue du Bac at one of Paris’ largest department stores, Le Bon Marché.
Le Bon Marché department store
Now owned by the luxury goods group, LVMH, Le Bon Marché was founded in 1838 by the entrepreneur, Aristide Boucicault. By 1869, it had developed into one of the first department stores in the world heralding a retail revolution that lives with us to the present day.
Rue du Bac – A Soundwalk:
A little further on from Le Bon Marché I came upon the Chapel of the Société des Missions étrangères de Paris, a Roman Catholic missionary organisation. It is not a religious institute, but an organisation of secular priests and lay people dedicated to missionary work overseas.
Chapel of the Société des Missions Étrangers
And then, across the street, the Square des Missions Étrangers.
Rue du Bac is in a rather chic part of Paris and that is reflected in the boutiques lining this part of the street.
This shop, Pierre Farman at N°122 for example, sells vintage aircraft parts – heaven for an aircraft enthusiast like me!
Founded in 1903 by the Austrian confectioner Antoine Rumpelmayer and named after his stepdaughter, Angelina’s has a world-wide reputation for its elegant Salons de Thé and its classiques de la pâtisserie française including its signature Le Mont Blanc comprising meringue, Chantilly légère and vermicelles de crème de marrons.
This pâtisserie in rue du Bac is one of several Angelina’s in Paris and around the world.
A little further on is the Sotheby’s estate agency. I always think that estate agents who display elegant pictures of properties for sale but no prices are best avoided!
And then I came upon …
And finally …
The Métro Station Rue du Bac.
In the earlier part of the day I’d been concentrating on my sound recording assignment so I hadn’t set out to record a soundwalk in this part of rue du Bac but, as it turned out, I’m rather pleased I did. And I think the sounds of a dog barking, a boutique security guard chasing a shoplifter and a church clock striking the hour, all of which I came upon completely by chance, added to the local colour.