YOU PROBABLY WON’T find any reference to it in the guidebooks, the glossy magazine articles or the internet sites that bombard us with the ‘10 best things to see in Paris’ or the ‘Guides to Secret Paris’ – and yet le Cylindre Sonore is quite exceptional.
It stands in the sunken landscape of Alexandre Chemetoff’s Jardin des Bambous, a Bamboo garden in the Parc de la Villette on the north-eastern edge of Paris and it is in the words of its creator, the Austrian architect and composer Bernhard Leitner:
“A cylindrical space that allows concentrated listening to the place, a contemplative rediscovery of oneself in transcendence of the place”.
Le Cylindre Sonore stands some six metres below the level of the park and it can be approached by a staircase lined with tiny water cascades leading down from the Parc de la Villette to the Jardin des Bambous or it can be approached from the garden itself. Either way, this sound space is designed so that one has to walk through it.
The staircase from the Parc de la Villette
Le Cylindre Sonore is sound architecture displayed as public art but unlike Bernard Tschumi’s bright red follies that adorn the rest of the Parc de la Villette, it’s the sound of it rather than the sight of it that attracts attention.
The sounds inside le Cylindre Sonore:
Five metres high and ten metres across, le Cylindre Sonore is in fact two cylinders with a space in between. Behind the eight perforated concrete panels and between the two cylinders are twenty-four loudspeakers arranged vertically, three to each panel, forming eight columns of sound. The circular space between the two cylinders provides access for the maintenance of the loudspeakers and entry to the underground control room. The inner cylinder acts as a resonance chamber with the curved surface shaping the sound.
Standing in le Cylindre Sonore the sounds from the loudspeakers, the sound of water flowing from the columns to a pool beneath the floor, the sounds from the water cascades alongside the staircase and the circular framed sky above create a meditative space sequestered from the city.
I spend much of my life recording the sounds of Paris. My practice mainly involves the relationship between sound and place and how sound can define, or help to define, a place. Very rarely though do I come upon a public space like le Cylindre Sonore where the sounds are the place.
Inside the Jardin des Bambous